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Modernism

The quest for beauty has always brought people to a thorough study of what the look would give it to them in practical terms. Going by
order to understand how we can what is beautiful and that is a pure intuition of the human eye in front of an aesthetic formalism that responds structurally to the artistic demands often personal.
A beauty so subjective that relies on the formal expression of a pure intuition. Purity
behind the objectivity of a work studied; just because pure, this work should be complete in all its parts as it can be judged.
rating that has non-trivial cases such as the completeness and purity guess.
would not be that if the work was not done. Just because "an aesthetic evaluation can take place when the human mind perceives a sequence of elements, such as a sequence of notes in the case of a musical composition, colors in the case of painting, or spaces in the case of architecture" ( JF Herbart). It must be said that a review of any kind it is, can not reveal Himself in a state of absolute indifference, objectivity in the face of that work which is to analysis, in order to maintain a balance of mind that transcends of excitement and melancholy. But let

step back ... or better try to understand we live in that era ...

Until a few centuries ago, the benchmark for any architecture was the classic, the story, that the fixed point which served as a mediator between the theory and practice of architecture. In the last period face off in a completely different way these design aspects. The knot that holds together the architect at the architectural thinking is the social function that the work will be the first. This implies a design approach that puts first the problem of the generic form that responds to social needs. And the result of what it finds in modernity.

It 'important to understand what because it means that you will lose the value of the building as a formal one, as an entity isolated from the context. "In practical terms it is clearly impossible to create a specific building with the objective set an absolute goal, as each new unit will not only change the existing order, but also change, with its very presence, any future unity" (P. Eisenman)

I agree with Rowe when he declared that nothing more could happen in architecture after 1965, ie after the death of Le Corbusier. Rowe interprets it as the work of the Swiss was the culmination of the "most sophisticated modernist formalism. "

Nowadays we might very well make up for the Kantian thought that what is central to the idea of \u200b\u200bform is the process of understanding intended as a pure form of intuition or as a form of thought, namely as a process through the conceptual which are mediated the different forms of intuition. For Kant the concept of form does not refer to the phenomenology of the superficial things, but the process of formation of the representation of the objects of nature. As argued by Gasco, the idea of \u200b\u200bform is the process of synthesis, without which no sensible intuition, and no cognitive process may arise.